Example of simple chroma keying test in After Effects for 'multiple exposure' shot.
Myself and
Michal Zagorski led a shoot at the green screen studio with the beautiful
Alona Kiricenko doing the performing.
We filmed from 3pm to 8pm and were quite efficient at following my storyboard and keeping everything simple and well executed (in our opinions...)
I have since executed some
simple chroma keying using Keylight within After Effects. I also hope to do this in Nuke (with Keylight, and IBK colour nodes, etc.) and composite it with more
style. I find that After Effects creates naturally quite an artificial look, and there aren't many, many options available to rectify this, quite like it seems Nuke, complicatedly, can.
A simple AE key and composite.
The original plate shot on Wednesday.
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Another, less accurate example.
This test should allow myself and Michal to know better how to go about a green screen shoot, even though we were very textbook in how we went about it and knew/were confident in how to do it beforehand. But, also it should allow us to see how more creative one can be with it, after practicing the basics fairly smoothly.
