Wednesday, 27 March 2013

'Conjure' | Main Project | Character Bios

Here are some blocked out ideas of the characters in the film...

TYLER (protagonist):

Tyler is conjoined to his twin brother Simon from birth. There was a situation when he and Simon were young where they could have been separated. Their parents chose against this because Tyler was most likely not to survive from this surgery, and even though it would appear with Simon being the stronger of the boys, it still was too much of a gamble for the parents if they were to lose both of their sons. Simon has more control of the two legs they share, and if they were to survive the surgery there was also a fear that they would end up both disabled/in wheelchairs. The negatives were too much for their parents.

Tyler very much relies on Simon because he needs to negotiate with him where they are to walk, as his brother has more power to do so. Tyler has begun to just let Simon decide, and has lost confidence, and been a little depressed, and even lazy.

He often wishes that this was not the case and he was able to try out independance some more and even walk where he so wishes. He doesn’t have a particularly good job and doesn’t have much luck with the girls as he has become to lack in confidence. He’s quite a spiritual person.

SIMON (antagonist):

Simon is getting married soon to a really lovely girl. He works in a steady assistant manager in a factory job which usually consists of him sat on a chair in the office, as his conjoined brother Tyler sleeps next to him during the day at Simon’s work. He has grown to tolerate this more but he occasionally feels it holds him back, but he loves his twin brother and heartwarmingly wants the best for him also.

MOTHER/RACHEL:

Always a very bubbly person. That’s what attracted her husband to her when they were in their early twenties. Her maternal experience is a scarred one. She possesses a lot of love for people and the world and especially her two sons. However, the daunting position she has found herself in with her companion, her husband, to make important decisions about the lives of those she loves and made her very tired with spells of insomnia within her life.

FATHER/LACH: 

A fairly timid and content man. Prone to letting life pan around before his eyes and think of ‘nothing’. In his old age, he has struggled to maintain the ability of memory. However, he has been very conscientious in his day. Very much stuck in a dead end job, but determined in his hobbies. These hobbies have become somewhat of a coping mechanism at some difficult stages of his life. He enjoys DIY and betting on horses.

Nothing particularly noticeable or interesting happened until he met his future wife. However, he never knew how interesting married life could end up being. At times the challenge in his life has stimulated his otherwise dull life and his response to it. He’ll still get the nerves when he has to prepare for something outside a comfortable day in the office.

FIANCE/ALONA (duel-antagonist):

She is a training nurse, and is a student of the world. She loves to travel and has studied several courses and worked for charities in order to aid her open lifestyle.
In the film, she is found talking on the phone in an alleyway. This can be because Tyler finds her very mysterious and enigmatic, wondering why she loves his brother so much to commit to marriage. It is also the setting before the hospital which makes the idea that she has left the hospital to take a call. She is concealing and covering up a lovely flamboyant dress under her coat - which can be thought of as a summery dress or a wedding dress.

Tuesday, 26 March 2013

Lecture to L2s and 3s

I was invited by Sharon Campbell to do a 30 minute presentation to level 2 and 3 undergraduate animation students on my studies in the use of and theory of composition in film.




It was good and encouraging to be asked to do this, and thanks for the good feedback. I hope what I discussed helps, and I am always up for hearing from anyone.

IB Lighting and Comp Tests



This is the whale from the Going Live project. It is set up to be lit by particular scenes.

Such techniques involving HDRIs and touching them up to light the character in a real life scene are very effective and much more interesting to me than just setting up Maya default lights by themselves and tweaking them... So this has been an interesting practice.

I have done a compositing test in Nuke here, matching the grain and colour correction of the scene. I am awaiting the texture/ displacement map/ colour map/ bump map for the whale. After getting these, we can do a test render and composite for one of the scenes... It should be exciting and better quality work than we have produced before.

Thursday, 21 March 2013

Going Live | Guinness Packshot Tweaks

Ross has tweaked the pack shot to a style he has in mind. What is particularly interesting is the idea of the swirls creating the harp on the glass.


This should be finalised soon.

Tuesday, 19 March 2013

Going Live | Packshot Test

After our test, and subsequently lessons learnt, myself and Ross Douglas organised and executed the filming of the packshot. We organised to have the help of the experienced Malcolm Finnie, and I booked out the EX-1 and the facilities.

Yesterday we picked up our clear Guinness shaped glasses (x4) and today we filmed the shots.

We initially thought we would film a 'perfect' shot of the Guinness rising in the glass after being poured. However, it appeared with Malcolm's advice that a multiple exposure and combination/layering of the best clips would be best. So after stinking out the photography studio with booze, we bunged a few of the clips together, then I tweaked it in order to create a first test.

Here it is:


In order to create the swirling effect desired (in combination with the basic rising), and not waste cans of Guinness, we mixed the pint with a stick. This shook the glass a little, so this needed stabilised (this is still not perfectly executed). I also animated a mask to create the rising effect (I feel that we can make this fully rise and meet the head and therefore last longer). There is around five shots combined here in this test - set to 'Screen' with tweaked opacities.

We will have meetings during this week to discuss all of this.

I think this went night and day better than last week's attempt. Obviously a long weekend drinking Guinness in Belfast for my big brother's stag really helped!

'Conjure' | Pre-Vis/Preview



I have blocked out the basic shots and then went into more detail with the edit and the detail of the drawings. However, I think it is very necessary in the next stages to properly lay it out in the rule of thirds, odds, and start to add depth to the types of shots I'm using. I want to make the compositions as effective as possible. But, this is the basic 'feel' so far.

We will be shooting for this entire film and then I will be producing a selection of visual effects shots for the Masters Show.

For this semester I am handing in compositing tests in Nuke of the factory setting and other comp tests.

Monday, 18 March 2013

Factory Interior | Progress

Lina's progress with the factory interior. Really chuffed with the detail appearing, especially the wee car. That was unexpected.


This will hopefully be at a level to do a Nuke compositing test by the end of the semester...